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The third entry of the Might and Magic series follows the same formula that previous titles had, but in terms of its interface, would settle upon the visual formula that would accompany the remainder of the party based role-playing branch of the franchise. Players can continue to seek out out quests, fight terrible creatures, and explore another vast world laid at their feet.
As with the first game, Isles of Terra continues the tradition of including a full color map of the world that the game was taking place on (in this case, the Isles of Terra).
Aside from the enhancements made to the interface, a new "escape" option was created within the game called "Mr. Wizard". If the player finds themselves lost, they can call upon his services and be teleported to their hometown. The cost, however, is an experience level.
The combat heavy nature of the series continues with this entry although there were many puzzles and secrets to be discovered within the game. Unlike Might and Magic II, Isles of Terra does not offer an option to import characters from its predecessor. Players either start with an all-new party or the pre-built one provided.
Special sub-quests for character classes are also included in the game to enhance their abilities.
As was often the case at this time with the PC related releases of the title (such as on MS-DOS or the Amiga), a number of items were included with the game to enhance its immersion:
Two new classes also make their debut in this game: the Druid and the Ranger.
The eight default PCs of Isles of Terra all made an appearance in a future Might and Magic game set in the same universe, in a sense concluding their story arc. They appear as high level "travelers" (having arrived from space) in the intro of Might and Magic VII: For Blood and Honor, and eventually become allies/enemies of the player's party.
The story of Might and Magic is a mix of fantasy and sci-fi elements, something that players only discovered once they have fought their way to the end of the previous titles only to discover fantastically advanced super science behind the veil of their respective worlds. Isles of Terra is no different.
At the end of Might and Magic II, the players discover that the world of CRON is actually a massive space-faring colonization vessel developed by powerful beings known only as the Ancients. Sheltem, however, refuses to allow the Ancients to populate CRON as intended, seeing them as inferiors, and decides to send it into the sun instead. Narrowly, the party from that game manages to save CRON although Sheltem escapes.
In Isles of Terra, players must put together a party to stop Sheltem's plan before he completes his quest to destroy that world as well. In it, they discover that Terra was the place where the nacelles of CRON and VARN (the worlds of the two previous titles) were headed in order to colonize it. Following the notes of the mysterious Corak, they discover that the world of Terra is divided into many different islands, towns, and castles, each filled with their own quests. After many harrowing adventures through each one, they finally gain access to the mysterious pyramids that are dotting its surface and discover the true nature of Terra.
Near the end, the party manage to get into the Central Control Center beneath the last pyramid and find that Corak and Sheltem are engaged in a duel to the death. Their arrival manages to distract Corak for a moment allowing Sheltem to slip away into a transport tube. Following Corak's lead, the party discover more of the truth behind the Isles.
Apparently, they were considered "The Grand Experiment" of the Ancients in "using the technology of Elemental Manipulation to create a completely viable ecological and social microcosm. This microcosm was then to be transported to a distant biosphere (Terra) to supplant it's indigneous ecosystem.". The game goes on to describe that the experiment needed a central control capable of handling unexpected anomalies.
It is then that the party discover the truth behind Sheltem: he was created by the Ancients to be the Overlord and Guardian of Terra but his conditioning was critically flawed. He did see himself as the Guardian of Terra, but not of the colonization experiment initiated by the Ancients. As a result, he rebelled against the "army" that "invaded" his world who were actually the colonists. The Ancients managed to contain him, but he had escaped and was determined to undermine the Grand Experiment.
From Sheltem's failure, the Ancients used these lessons to create Corak, a new Guardian. With his conditioning, the Great Experiment was successfully launched on its journey through the Void. Corak was to stop Sheltem and then oversee the colonization of Terra as its Guardian and Overlord.
Sheltem, however, did not see his inability to stop Terra's colonization as a detriment. Instead, he found an opportunity and succeeded in disturbing the balance between the three alignments of men, a balance that Corak must now repair upon his return. However, his plan against Terra only gave him a small sense of satisfaction as he quickly sought to sabotage the other experiments that the Ancients had scattered throughout the Void.
Both Sheltem and Corak have escaped through transport tubes but a third has been prepared for the party to pursue the two to the next world where Sheltem intends to continue his mad quest.
The gameplay is centered around a six person party with the world seen from a first person perspective utilizing rudimentary 3D graphics for the outdoor locations and indoor dungeons. Monsters along with certain other encounters are displayed as 2D pictures. As was the norm at the time for several RPG titles, movement is centered around a grid based scheme which meant 90 degree turns and square-based movement forward or back.
The game is also considered quite detailed as well as difficult. Players are required to maintain a stock of food in order to be able to rest outside of an inn to regain hit and spell points. Bashing open locked doors often set off traps if they are not disarmed. Leveling is not automatic.
Once a character has earned the requisite experience, it must be spent at a training ground in order to improve their statistics and abilities. Gems are often required to cast higher level spells and characters can also die from old age (natural or not), although the proper spells could alleviate its effects. Characters can also be afflicted with a number of debilitating conditions which often prove incredibly fatal to starting parties. Sex and alignment can also restrict certain characters from entering specific areas or in equipping certain items.
Isles of Terra also allows the player to save anywhere they wish outside of an inn.
Towns and dungeons are no longer limited by the 16x16 grid although continue to use a grid-based movement system with 90 degree turns. Several other enhancements were also made:
The manual of the game took the form of a journal describing the world, its classes, and its races through a fictional story told from the point of view of one of the title's main NPCs, Corak.
The game allows the player to select among five different races in building their characters. As with most other RPGs, certain races have slightly better statistics in certain areas and others, but the emphasis appears to be more on how resistant each one is against certain conditions such as falling prey to sleep spells or being more resistant to poison.
The five races are:
The maximum value for any one statistic is 18, although this can change depending on several factors based on spells or the effects of certain items. However, if any statistic drops to 0, it will result in immediate death for that character.
The basic statistics used in the game seem derived from the Dungeons and Dragons model of statistics, although carry different names so as to differentiate themselves. They are:
Several classes are available for players to choose from in building their party of adventurers.
In addition to their class and race, characters have a number of other statistics that players will need to keep track of during the game.
Each character also has their own backpack which can carry a maximum of six items.
There are no absolutes in Might & Magic nor does this affect the story progression of the game. Instead, it largely determines certain restrictions such as whether a piece of equipment can be used or whether a particular character can enter specific areas.
Several towns are scattered throughout the land offering valuable services and even a few side-quests. Due to the open ended nature of the game, the player was not implicitly told where to go, leaving it to their own inquisitive nature to discover where they should head off to next and who to speak to in order to find the next quest. In addition to the towns, many dungeons and secret locations are also scattered throughout the world.
Towns share many of the same services.
Isles of Terra marks a pivotal change to the combat system of Might and Magic, one that would persist throughout the following chapters of the main series. Options that the first two games allowed the player to use in combat situations, such as bribing encounters to leave them alone or even surrendering, are no longer available.
Enemies are visible allowing the player to attack them at a distance with ranged attacks (such as with bows) or take steps to avoid the confrontation entirely. By using hotkeys or the mouse, the player can easily manage the flow of combat with their favored peripheral.
Once the enemy makes 'contact' with the party by closing the distance to melee, the player has to use one of the button commands on the interface to actually 'Run' from combat. By running from combat, the party ends up somewhere on the map near to where they had fled.